Try AI feedback free!

Metaphor

1 Aug 20253 min readBeginner

A figure of speech that describes something by saying it IS something else. For example: 'The world is a stage.'

In this article

Definition

A metaphor is a figure of speech that describes something by saying it is something else, without using ‘like’ or ‘as.’ It creates a direct comparison between two unrelated things to suggest they share a quality.

For example: “The moon was a silver coin hanging in the sky.” The moon is not literally a coin, but the metaphor helps us picture its shape and brightness.

Metaphors are powerful because they are bold. Instead of suggesting a similarity (as a simile does), a metaphor states it as fact. This makes the writing feel more vivid and confident — exactly what 11+ examiners want to see.

A stack of books, representing the rich world of literary language

Difference from a Simile

Similes and metaphors are closely related, and pupils often confuse them. The rule is simple:

  • Simile: Uses ‘like’ or ‘as’ — “Her anger was like a volcano.”
  • Metaphor: Says something IS something else — “Her anger was a volcano, ready to erupt.”

Both are forms of figurative language and both are valued in 11+ writing. However, metaphors are generally considered the more sophisticated device because they demand more imagination from both the writer and the reader.

A useful trick for upgrading your writing: take any simile you have written and try converting it into a metaphor. Often the metaphor version sounds stronger and more polished.

Extended Metaphors

An extended metaphor is a metaphor that continues across several sentences or even an entire paragraph. Instead of making a single comparison, you develop the idea further.

Here is an example:

“The exam hall was a battlefield. Rows of soldiers sat in silence, their weapons — pens and pencils — lined up before them. At the sound of the starting bell, they charged into the first question, fighting for every mark.”

Notice how the battlefield metaphor carries through: pupils become soldiers, pens become weapons, and starting the exam becomes a charge. This kind of sustained comparison shows real skill and can earn top marks in the 11+ creative writing paper.

You do not need to use extended metaphors in every piece, but having one or two practised and ready can make your writing stand out.

Metaphors in 11+ Writing

Here are some ways to use metaphors effectively in your 11+ creative writing:

  • For emotions: “A wave of sadness washed over her.” This is more vivid than simply writing “she felt sad.”
  • For settings: “The forest was a cathedral, its branches arching overhead like stained-glass windows.” This creates atmosphere instantly.
  • For characters: “He was a rock — unmovable, silent, and cold.” This tells the reader about personality without needing a long description.
  • For weather: “The wind was a thief, snatching hats and scattering leaves.” This combines metaphor with personification for extra impact.

The key is to choose comparisons that match your atmosphere. A horror story might use metaphors involving darkness, predators, or storms. A joyful scene might use metaphors of light, warmth, or music.

11+ Writing Tip: Try the “simile-to-metaphor upgrade” technique. Write a simile first (“the fog was like a curtain”), then remove “like” and extend the image (“the fog was a grey curtain drawn across the street, hiding everything behind its folds”). This two-step method makes crafting metaphors feel much easier under exam pressure.

How Examiners Reward Metaphors

11+ examiners specifically look for evidence of figurative language. A well-placed metaphor signals that the pupil:

  • Understands literary devices and can use them deliberately
  • Has a strong vocabulary and can think creatively about language
  • Can create atmosphere and emotion without relying on simple adjectives

Even a single effective metaphor can lift a piece of writing from “good” to “excellent” in an examiner’s eyes. The important thing is that it feels natural within the piece, not forced or out of place.

Practise by choosing an everyday object — a tree, a river, a building — and writing three different metaphors for it. Over time, thinking in metaphors will become second nature.

Common Mistake: Avoid mixed metaphors — combining two unrelated comparisons in the same sentence. “The ship of state has one foot in the grave” mixes a ship with a human body, which sounds clumsy. Stick to one metaphor at a time and develop it fully rather than jumping between images.

Frequently Asked Questions

Share this article

Stay Updated with PenLeap

Get the latest tips on creative writing, 11+ exam preparation, and AI-powered learning straight to your inbox. Join thousands of parents and students.

Subscribe to Newsletter

Free • No spam • Unsubscribe anytime

Ready to Improve Your Writing?

Get instant AI feedback on your 11+ creative writing. Join thousands of students already using PenLeap.

Start Free

No credit card required • Free to start